I kept the blackout shades drawn tight, dim room. Dim city sounds through the walls, barely audible. Drowsy yellow light from my bedside lamp — it was a small room, filled with yellow uterine warmth. I had a bed, and a desk, I was very fortunate, I had a mini-fridge and a carpet and a TV. I had a roommate who had disappeared into the city, bingeing, and a rent check I couldn’t afford. The store I worked for was shutting down, a job I didn’t like, so I stayed home. I stayed home and let the lead weight of ending days creep closer unannounced. I bought a bag of pot, a case of beer, ordered fast-food to my door, and masturbated frequently. Everything I could ever want to watch was available for download illegally. I watched sci-fi space travels and sitcoms, teen dramas, found nostalgia in the old colors of cartoons. Shows in which the youth always have a happy ending, where their sets are refreshed for the start of each show: A friend’s basement, or a bar, that they know is always there. The familiar tension in a plot line; episodic impermanence, their great shelter from despair. Retreat into your basement, retreat into your spaceship, no one will hate you tomorrow: your friends will be at MacClaren’s. I made a mistake, then, and peeked out the shades, a willingness to survive. I was surprised to find daylight still in the streets. I sat back down on my bed. What an awkward sensation, to be stationary, when you know the unseen world around you heaves and turns. The walls of my bedroom were paper-thin, I could feel the city’s humid heat drop its weight on my skin. I needed to find another apartment. I needed to find another job. I needed to find the courage to speak with people, to shove my will out at the world. But the days had a way of passing by in the night, no pattern to the way they rolled over. There was nothing stable about the ground, no framework in the sky, nothing I could expect but my own surprise at how quickly my grave could be dug.
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Mick Hugh/Mick’s Neon Fog